Produced by The 5th Avenue Theatre
Music and Lyrics by Stephen Sondheim
Book by Hugh Wheeler
Directed by Jay Woods
Music Directed by Matt Perri
Fight and Intimacy Directed by Ian Bond
Choreographed by Katy Tabb
Scenic Designer: Lex Marcos
Associate/Assistant Scenic Designer: Parmida Ziaei/ Raha Rodriguez
Lighting Designer: Robert J. Aguilar
Costume Designer: Danielle Nieves
Hair/Wig and Makeup Designer: Cherelle D. Guyton
Sound Designer: Haley Parcher
photo credit to Mark Kitaoka and Tracy Martin
by Nina Raine
Produced by Tacoma Arts Live
Director: Louis Hobson
Associate Director: Melanie Gladstone
Stage Design: Lex Marcos
Costume Design: Naarah McDonald
Lighting Design: Niclas Olson
Props Master: Jen York
Charge Artist: Kim Izenman
Photography: Brett Carr
by Justin Huertas
Produced by ArtsWest Playhouse and Gallery
Direction: Mathew Wright
Scenic design: Lex Marcos
Lighting design: Ryan Dunn
Costume design: Janelle Kimbrough
Props Design: Jessamyn Bateman-Lino
Photo by John McLellan
by Douglas Carter Beane
ArtsWest Playhouse and Gallery
direction Matthew Wright
musical direction John Lehrack
choreographer Shadou Mintrone
lights design Tristan Roberson
scenic design Lex Marcos
costume design Kelsey Rogers
sound design Haley Parcher
photo credits John McLellan
IS GOD IS
By Aleshea Harris.
Produced by Washington Ensemble Theatre
Directed by: Lava Alapai
Scenic Design: Lex Marcos
Props Design: Jennifer Burkey
Lights Design: Ryan Dunn
Costume Design: Ricky German
Sound Design: Kyle Thompson
I
Presented by the UW Musical Theater Program - a partnership of the UW School of Drama, School of Music, and Dance Program
Music & Lyrics by William Finn
Book by Rachel Sheinkin
Conceived by Rebecca Feldman
Directed by Brandon Ivie
Musical Direction by Jordyn Meeker
Scenic Design: Lex Marcos
Costume Design: Meleta Buckstaff
Lighting Design: Kyle Soble
Choreography: Steven Sofia
Photo credit: Isabel Le & Mike Hipple
A warmhearted musical comedy chronicles the experiences of six adolescent outsiders vying for the spelling championship of a lifetime. While candidly disclosing hilarious and touching stories from their home life, the tweens spell their way through a series of [potentially made-up] words hoping to never hear the soul-crushing, pout-inducing, life un-affirming "ding" of the bell that signals a spelling mistake.
by Samuel Beckett
University of Washington School of Drama Directing Presentation
Direction: Malika Oyetimein
Scenic Design: Lex Marcos
Lighting Design: Kenrick Fischer
Adapted by Rody Vera based on Gilda Cordero-Fernando's children's short story "The Magic Circle".
Produced by Dulaang Unibersidad ng Pilipinas (DUP)
Direction: Jose Estrella
Scenic & Lights Design: Lex Marcos
Costume Design: Lee Roy New
Shadow & Puppetry Design: Don Salubayba
Jepoy and Galis are invited to a wedding underneath a balete tree, in the middle of the dark forest. No exact wedding date. They only have to wait for a sign: when it rains while the sun is shining, that's the time to go and witness the vows of the tikbalang couples. Jepoy and Galis meet the tatlong Maria: Makiling, Cacao and Sinukuan of the mountains, the enormous Doña Geronima with her clean and shiny plates, the Spanish-speaking dwarf different characters and creatures of the lower mythology. Yet this wondrous banquet is not just frolic and festivity. It is also an urgent plea to the only human guest, Jepoy, no matter how young and poor he is,to tell his world to change things before it's too late. A play that reminds the children of all ages of our responsibility to take care of our environment.
by Paul Fleischman, Produced by C Virata and Gillian Joyce VIrata supported by Repertory Philippines Foundation, Inc., Arts in the City, RCBC , JInggo Montenejo and Team Aisa.
Direction: Jaime Del Mundo
Scenic Design: Lex Marcos
Lights Design: John Batalla
based on Jean Genet's Prisoner of Love and some events from his life by Rodolfo Vera
Produced by Dulaang Unibersidad ng Pilipinas (DUP)
Direction: José Estrella
Scenic Design: Lex Marcos
Lights Design: Barbara Tan-Tiongco
Video: Jon Lazam
Costume Design: Carlo Pagunaling
Sound Design: J Victor Villareal
Shadow play & Graphics: Sigmund Roy Pecho
Photography: Adrian Begonia
Jean Genet, considered one of the few major figures of modern literature and drama, is also probably the most controversial. His youth was spent as prisoner, thief, male prostitute and vagabond. He wrote his first major work, Our Lady of the Flowers, in a prison, and having been discovered by the most important figures of French literature and philosophy (Jean Cocteau and Jean-Paul Sartre), he was hailed as one of the most important writers since Marcel Proust. After a period of prolific creation of plays, novels and essays, Jean Genet stopped writing for about 12 years. But towards the later part of his life, he suddenly came out with an urgent, significant and poetic essay called Four Hours in Shatila, where he wrote his eye-witness account of the massacre of Palestinian civilians in Shatila by the Phalangists (and with the tacit aid of Israeli soldiers). This essay became the prelude to his last major book called Un Captif Amoureux (Prisoner of Love), a memoir of his roughly two-year stay with the Palestinian Liberation Army in the Middle East (in 1970s and later in 1982) and the Black Panthers in the USA.
Bilanggo ng Pag-ibig is an adaptation of the book’s major portions, focusing on his encounters with the the fedayeen rebels in Palestine. The play’s structure is contained by the last days of Jean Genet’s life where, holed up in a small hotel in Paris, he is battling throat cancer while frantically trying to finish the writing of his last masterpiece. Framed in conversations with his friend Leila Shahid, later to become the General Delegate of Palestine to the European Union, the play Bilanggo ng Pag-ibig seeks to understand and portray Jean Genet’s imagination, as well as his controversial insights on revolution, betrayal and deceit, homosexuality, terrorism, and love.
Music by Tom Kitt Book and Lyrics by Brian Yorkey.
Manila Premiere produced by Atlantis Productions.
Direction: Bobby Garcia
Scenic Design: Lex Marcos
Costume Design: Twinkle Dimayuga
Lighting Design: Naomi "Shoko" Matsumoto
by Amelia Lapeña- Bonifacio. Produced by The University of the Philippines Centre for International Studies in partnership with Japan Foundation.
Direction: Naohiko Umewaka
Scenic Design: Lex Marcos
Lighting Design: Naomi "Shoko" Matsumoto
A Japanese Noh interpretation of the journey of Sisa from José Rizal's Novel Noli Me Tangere. In this re-interpretation, Sisa confronts the friar , Padre Salvi , reunites with her two sons, Crispin and Basilio. Sisa regains her sanity and piece of mind.
A revisiting and or reimagining of a full length corrido, featuring the Philippine mythic Adarna adapted by Vlad Gonzales. Produced by Dulaang Unibersidad ng Pilipinas
Direction: José Estrella
Dramaturgy: Vanessa Banta , Brian Viray
Scenic & lights Design: Lex Marcos
Puppetry and Graphic Design: Don Salubayba
Costume Design: Brenda Fajardo
Movement: Tess Jamias
Sound: J VIctor Villareal
Photography: Vlad Gonzales
Through a multimedia theatrical presentation Adarna blurs distinction between family dispute and far away lands, magical dreams and grim realities to ask why and what ends do we tell the stories we need and desperately want to tell.
Written by Jocelyn Bio
Produced by Portland Center Stage and Artists Repertory
Direction: Lava Alapai
Scenic design: Lex Marcos
Lights design: Marika Kent
Costume design: Wanda Walden
Sound design: Phil Johnson
The stage musical based on the Disney film. Music and lyrics by Phil Collins, book by David Henry Hwang.
Manila Premiere produced by Viva Atlantis
Direction: Chari Arespacochaga
Scenic Design: Lex Marcos
Costume Design: Eric Pineda
Lights Design: Dong Calingacion
Choreography: Cecile Martinez
A Filipino adaptation by Rody Vera based on the Indian poet and dramatist Gurudev Rabindranath Tagore's play "Dak Ghar" or " The Post Office". Produced by Philippine Educational Theater Assocication (PETA)
Direction: Lutgardo "Gardi" Luza Labad
Dramaturgy: Ruston Barucha
Scenic Design: Lex Marcos
Animation: Ellen Ramos
Costume Design: Arlene Enriquez Alcayaga
Lighting Design: Jon Jon Villareal
NATIVE GARDENS
by Karen Zacarias
Produced by INTIMAN Theatre
direction: Arlene Martínez- Vazquéz
scenic design: Lex Marcos
lights design; Robert Aguilar
costume design: Frances Kenny
sound design: Matt Starrit
props master: Robin Macartney
by Heinrich von Kleist, Filipino translation by Jerry Respeto. Produced by Dulaang Unibersidad ng Pilipinas.
Direction: José Estrella
Scenic Design: Lex Marcos
Costume Design: Raven Ong
Lights Design: John Batalla
Photo credit: Virgie Sorita
“Amphitryon” is a moral fable that challenges our deeply rooted beliefs about love, infidelity and identity. It presents a loving and faithful wife who is left alone by a husband-king engaged in battle. The god Jupiter falls in love with her, and disguises himself as her long-lost husband. After the disguise and deception the god-lover disappears, and the mortal husband, King Amphitryon, returns. Would she recognize the difference?
Based on the book by L. Frank Baum. Adaptation and lyrics by JIm Eiler. Music by Jim Eiler and Jean Bargy.
Produced by Repertory Philippines
Direction: Joy Virata
Scenic Design: Lex Marcos
Costume Design: Raven Ong
Lights Design: John Batalla
INTIMAN Theatre presents
CAUGHT by Christopher Chen
Directed by Desdemona Chang
scenic design: Lex Marcos
costume design: Natalie Shih and Christine Tschirgi
lights design: Reed Nakayama
sound design: Meghan Roche
props: Adam Zopfi- Hulse and Kyle Hartmann
by: William Inge
Produced by University of Washington School of Drama
Direction: Sean Ryan (Act I) Malika Oyetimein (Acts II&III)
Scenic Design: Lex Marcos
Costume Design: Julia Welch (Act I) Shawnee Luciani (Acts II&III)
Lighting Design: Kenrick Fischer
Photo credit: Deborah Hayes
Five weary travelers and their bus driver find themselves stranded in the middle of the night, waiting out a snow storm. A nightclub chanteuse, a belligerent cowboy and his guitar-strumming sidekick, a hard-drinking college professor on the run from his past, the bus driver, the proprietor of the diner, and a naïve young waitress, reveal their hopes, dreams, loves and fears, while the town sheriff does his best to maintain order. As the temperature drops and the night progresses, tensions and passions rise in Inge's classic bittersweet comedy.
By Claudia Rankine
Adapted for the Stage by Stephen Sachs
Produced by Sound Theatre Company and The Hansberry Project
Director: Jay O’Leary
Scenic Design: Lex Marcos
Costume Design: Ricky German
Sound Design: Maggie Rogers
Lighting Design: Richard Schaefer
Asst. Lighting Design: Malie Fujii
Projection Design: Tristan Roberson
Photo credits: Rebekah Welch and Jovelle Tamayo
by Frederico Garcià Lorca. Produced by Marie Eugenie Theater of the Assumption.
Direction: Jose Estrella
Set and Lights Design: Lex Marcos
by William Shakespeare. Produced by Marie Eugenie Theater of the Assumption.
Direction: José Estrella
Set and Lights Design: Lex Marcos
Costume Design: Kalila Aguilos
by Ayad Akhtar
ArtsWest Playhouse and Gallery
direction Samip Raval
scenic design Lex Marcos
lights design Ryan Dunn
costume design Kelsey Rogers
sound design Brian Murphy
photo credits John McLellan
by Guillermo Calderon
Produced by Washington Ensemble Theatre
direction: Jay O’ leary
scenic design: Lex Marcos
lights design: Tristan Roberson
costume design: Ricky German
sound design: Erin Bednarz
props: Robin Macartney
photos: Chris Bennion
SHAKESPEARE IN LOVE
by Tom Stoppard, Lee Hall and Marc Norman
Produced by Tacoma Arts Live
Director: Chris Nardine
Set Design: Lex Marcos
Lights Design: Brett Car
Costume Design: Naarah McDonald
Props: Karrie Nevin
by James Fritz
Produced by Pony World Theatre
direction: Sann Hall
scenic design: Lex Marcos
lights design: Emily Leong
projection design: Ahren Buhmann
costume design: Caitlin Krida Cook
props: Dan Garlington
visual artist: Mandy Greer
scenic artist: Annie Duffiance
by David Henry Hwang
Produced by ARTSWEST
direction Samip Raval
scenic design: Lex Marcos
lighting design: Emily Leong
costume design: Natalie Shih
sound design: Brian Murphy
props: Andrea Spraycar
Disney’s Aladdin features music by eight-time Oscar Award winner Alan Menken with lyrics by Oscar Award winner Howard Ashman, Oscar Award winner Tim Rice, and Tony Award nominated lyricist Chad Beguelin, who also wrote the brand new book of the musical.
directed by Bobby Garcia and Chari Arespacochaga
set design by Lex Marcos
set design associate Lawyn Cruz
lighting design by Jay Aranda
choreography by Ceicle Martinez
costume design by Twinkle Zamora
musical direction by Ceejay Javier
vocal direction by ManMan Angsico.
By Duncan Macmillan
Produced by Really Really Theatre Group
Direction: Henry Nettleton
Scenic design: Lex Marcos
Lighting design: Aaron Tacy
Costume design: Natalie Shih
Photo credit: Zoë Buchard